In Chapter 5 of the Zoothesia Series, a narrator investigates their older brother Io through the lens of a research project, exploring what makes him unique in a world governed by the Zoothesia Protocols—systems designed to protect people by visualizing and managing information about them. The chapter interrogates how protocols that claim to protect everyone paradoxically render certain individuals invisible or anomalous, setting up a penultimate narrative convergence where overloaded information systems begin to break down.
Protocolized launches Monstrous Times, a new publication dedicated to strange rules fiction, expanding on over two years of protocol fiction storytelling including 60+ stories and writing contests. The launch reflects the discovery and formalization of a new literary genre that explores how rules and protocols structure narratives and worlds.
Sachin Benny
Nicolás Madoery presents 'divergent protocols' as a counter-model to standard protocols that converge toward homogenization, arguing that AI and robotics now function as infrastructure (not tools) through which culture becomes 'liquid' and infinitely re-versioned. Drawing on examples like AI-generated Argentine folklore, a dancing folk robot, and his PIACH framework for cultural organizations, he proposes protocols that preserve diversity by naming what is lost, keeping source names, and leaving room for noise rather than optimizing transmission.
Nicolás Madoery
Mike Travers traces the Biblical Jubilee and ancient Mesopotamian debt-cancellation traditions (drawing on Michael Hudson's research) as early 'meta-protocols' designed to periodically reverse the entrenchment effects of economic systems, examining patches like the prosbul that undermined these resets. He then generalizes this into a framework for forgiveness in protocol design, covering dimensions like timing, coverage, and depth of forgiveness events, and drawing parallels to game-theoretic forgiving strategies, exception handling in programming, and the tension between protocol 'hardness' and 'softness'.
Mike Travers